Press
New York Times Review - July 2023
A convening salvo from ElSaffar’s trumpet — mellow yet mournful — seemed to inspire droning notes in the strings that gradually flowered into plucked passages that ricocheted across the hall. And when fervid motifs for oboe, clarinet, bassoon and French horn — all positioned at the back of the house — mingled with gentle notes from the Two Rivers bassist onstage, there was a glorious sense of collective blooming.
ElSaffar also spoke, telling the audience how his “Dhikra” (“Remembrance”) — inspired by the 20th anniversary of the second U.S. invasion of Iraq — incorporated Western classical instruments from the festival orchestra’s ranks, alongside the players in his Two Rivers ensemble. (Among other instruments, that group features oud, a steel-string lute and an Iraqi hammered dulcimer, as well as ElSaffar’s trumpet, which channels the melodic style of Iraq’s maqam tradition.)
Change, for this festival and for classical music on the whole, is inevitable. But this Mass was a reminder of the wonders that should be carefully shepherded going forward. After Langrée departs, it will be important for the leaders of this orchestra — whatever it’s called — to continue to balance interpretations of this high order and taking big swings with artists on the level of ElSaffar.
“The celebrated trumpeter and composer Amir ElSaffar explores vital connections between jazz and Arabic music...” - The New York Times
“ElSaffar has been esteemed for a new methodology towards the much-maligned world music genre….[he] is a jazz musician first, introducing his ethnicity (Iraqi) as an integrated part of his aesthetic.” – The New York City Jazz Record
“Amir ElSaffar is uniquely poised to reconcile jazz and Arabic music without doing either harm…ElSaffar’s music [is] the result of engagement across the board, presented with clarity and eloquence.” – The Wire
“ElSaffar’s melismatic trumpet lines conveyed tremendous lyric beauty, his phrases bending and twisting in ways that Western ears are not accustomed to hearing… among the most promising figures in jazz today.” – Howard Reich, The Chicago Tribune
“a virtuoso on the horn, but also an imaginative bandleader, expanding the vocabulary of the trumpet and at the same time the modern jazz ensemble.” – David R. Adler, All About Jazz
RIVERS OF SOUND:
“★★★★ … On Not Two, he’s moved beyond building bridges. His music has become the river. ” —Bill Meyer, Downbeat
“If music really is the healing force of the universe, ElSaffar’s wide-ranging perspective makes him someone who knows how to put that axiom to use.” —Mike Shanley, Jazz Times
“[an] arresting debut album… Rivers of Sound brings together virtuosos from Middle Eastern, South Asian and Western jazz traditions, and its music has a liquid quality: It’s full of momentum, but not in the way of a single moving thing. Instead, it seems to flow and spill across bounds.” —Giovanni Russonello, The New York Times
“… a towering statement of purpose—wise to many traditions, even while it remains accessible to anyone.” —Seth Colter Walls, Pitchfork
CRISIS:
“★★★★★…what ElSaffar is doing on Crisis is unique in music…from a political and historical vantage point, the task of narrating complex global events through instrumental music is more than challenging. ElSaffar has not only commendably told this personal and globally important story but has produced a masterpiece of a recording in doing so.” – Karl Ackermann, All About Jazz
“★★★★½…ElSaffar continues to be a singular voice in modern music as this record clearly demonstrates. He has gone beyond others in superbly and seamlessly blending Middle Eastern melodies and Jazz…intriguing and captivating” – Hrayr Attarian, All About Jazz
ALCHEMY:
“a rousing amalgamation of propulsive modern jazz and modal lyricism… a milestone session” – Troy Collins, Point of Departure
“some of the most shimmering, subtle work of ElSaffar’s career.” – Howard Reich, The Chicago Tribune
“It is, at once, modern and ancient—something you’ve heard all your life and something brand new.” – Frank Alkyer, Downbeat Magazine
INANA:
“sincere and investigatory… ★★★★½” – John Corbett, Downbeat Magazine
“thoroughly engaging, sensual, and enlightening…★★★★½” – Allmusic.com
“hypnotic and utterly unique” – Areif Sless-Kitain, TimeOut Chicago
“elegant, meditative, refined, and musically adventurous.” – Wanda Waterman, The Voice Magazine
RADIF SUITE:
“inclusive and compelling” – Bill Meyers, Downbeat
“achieving rare emotional impact” – Stuart Broomer, All About Jazz
“the music is as simply and honestly made as any can be. This is profoundly sad music and profoundly powerful in the strength and clarity with which it expresses itself.” – George Grella, The Big City
TWO RIVERS:
“gorgeous, invigorating, and accessible” – Patrick Jarenwattananon, NPR Music
“harrowing to absorb; full of as much beauty as pain” – Matt Wells, BBC World Service
“hypnotic and arresting” – Karl Stark, The Philadelphia Inquirer
“fresh, deep, intensely performed music… an organic amalgam” – Chris Kelsey, Jazz Times
MAQAMS OF BAGHDAD:
“Music doesn’t get much more intimate than this.” – Tom Strini, Third Coast Digest
“mesmerizing…this trio is an amazing combination of musicians.” – Rick Walters, Express Milwaukee